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In some cases, a format-specific dialog box opens after you choose a format, in which you can choose format-specific settings. If you have new preferences as opposed to upgraded or imported preferences, the output module default is set to High Quality.

See Output modules and output module settings and Encoding and compression options for movies. When an output name and location have been set, and render settings and an output module have been selected, the entry in the Render column automatically becomes selected shown by a check mark and the status changes to Queued.

The status Queued means that the render item is in the render queue. Press Caps Lock before you start rendering to prevent the Composition panel from displaying rendered frames. By not updating the Composition panel, After Effects requires less time to process simple render items with many frames.

To fasten the process, use Multi-Frame Rendering. See this tutorial to learn how to use the render queue to export files.

When rendering of a render item is complete, it remains in the Render Queue panel with its status changed to Done until you remove the item from the Render Queue panel. You cannot rerender a completed item, but you can duplicate it to create a new item in the queue with the same settings or with new settings.

After an item has been rendered, you can import the finished movie as a footage item by dragging its output module from the Render Queue panel into the Project panel. See Import footage items. The dynamic Current Render bar represents memory usage – bright green is frames currently rendering, blue is frames written to disk, and dark green in between is frames that have been rendered but not written to disk.

The render item is listed in the Render Queue panel but is not ready to render. Confirm that you have selected the desired render settings and output module settings, and then select the Render option to queue the render item. Needs Output. An output filename has not been specified. Choose a value from the Output To menu, or click the underlined Not Yet Specified text next to the Output To heading to specify a filename and path.

After Effects was unsuccessful in rendering the render item. Use a text editor to view the log file for specific information on why the rendering was unsuccessful. User Stopped. If the disk to which an output module is writing runs out of space, After Effects pauses the render operation. You can clear additional disk space and then resume rendering and exporting. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Queued is added to the Render Queue panel.

The new item uses the same output filename and has the same duration as the original render item. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Unqueued is added to the Render Queue panel.

The new item uses an incremented output filename and resumes rendering at the before frame at which rendering was stopped—so the first frame of the new item is the last successfully rendered frame of the stopped item. Basic information about the current batch of renders is shown at the bottom of the Render Queue panel:. To view more information about the current render operation, click the triangle to the left of the Current Render heading.

The Current Render pane collapses closes after a short time. To view details of a completed render, review the log file. A chime plays when all items in the render queue have been rendered and exported; a different sound plays if a render operation fails.

The sounds folder is in the following location:. After Effects can send you remote notifications after the rendering process is complete, eliminating the need to wait at your machine to know when the files are ready. Notifications are sent to your Creative Cloud mobile desktop app, your mobile device with the linked Creative Cloud app installed, along with your smart watch linked with your mobile.

You can also export After Effects compositions directly into Adobe Media Encoder, which offers the flexibility to continue working in After Effects while files are being processed. To fasten the process, use Mutli-Frame Rendering.

When you use Adobe Media Encoder, you can also use additional presets and options that are not available in the After Effects Render Queue. You can add your composition to the Adobe Media Encoder Queue using one of the following methods:. The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option. The output filename and location are transferred, however, Adobe Media Encoder does not use the filename and location templates, which may result in image sequence numbering mismatch.

The Import After Effects Composition dialog box opens. Choose the composition you want to encode. Encode the file as you normally would by choosing presets and an output location in Adobe Media Encoder.

After Effects provides various formats and compression options for output. Which format and compression options you choose depends on how your output will be used. By contrast, if the movie that you create from After Effects is an intermediate product that will be used as input to a video editing system, then you should output without compression to a format compatible with the video editing system. See Planning your work.

Keep in mind the fact that you can use different encoding and compression schemes for different phases of your workflow. For example, you may choose to export a few frames as full-resolution still images for example, TIFF files when you need approval from a customer about the colors in a shot; whereas you may export the movie using a lossy encoding scheme for example, H. You can add the ability to export other kinds of data by installing plug-ins or scripts provided by parties other than Adobe.

The Collect Files command gathers copies of all the files in a project or composition into a single location. Use this command before rendering, for archiving, or for moving a project to a different computer system or user account. When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder:.

After you collect files, you can continue making changes to a project, but be aware that those changes are stored with the original project and not with the newly collected version. For All Comps. For Selected Comps. Collects all footage files and proxies used in compositions currently selected in the Project panel. For Queued Comps. Collects all footage files and proxies used directly or indirectly in any of the compositions with a Queued status in the Render Queue panel.

None Project Only. Generate Report Only. Obey Proxy Settings. Use this option with compositions that include proxies to specify whether you want the copy to include the current proxy settings. If this option is selected, only the files used in the composition are copied. If this option is not selected, the copy contains both proxies and source files, so you can later change proxy settings in the collected version.

If you choose For Queued Comps in the Collect Source Files dialog box, After Effects uses the proxy settings from the render settings, not the composition. Reduce Project. Change Render Output To. Use to redirect the output modules to render files to a named folder in the collected files folder. Rendering status must be valid Queued, Unqueued, or Will Continue for the output modules to render files to this folder.

You can use the Collect Files command to save projects to a specified watch folder and then initiate watch-folder rendering over a network. After Effects and any installed render engines can then render the project together across a network. See Set up watch-folder rendering. Maximum Number Of Machines.

Use to specify the number of render engines or licensed copies of After Effects that you want to allocate to render the collected project.

Below this option, After Effects reports how many items in the project will be rendered using more than one computer. If rendering time is unusually long, you may have set Maximum Number Of Machines too high, and the network overhead required to track rendering progress among all computers is out of proportion to the time spent actually rendering frames.

The optimal number depends on many variables related to the network configuration and the computers on it; experiment to determine the optimal number for your network. Once you start the file collection, After Effects creates the folder and copies the specified files to it.

The folder hierarchy is the same as the hierarchy of folders and footage items in your project. The new folder includes a Footage folder and may include an output folder if you selected Change Render Output To.

The names of these folders appear in parentheses to signal to any attending render engines that they should not search these folders for projects. You can locate a previously rendered item or check the destination of a queued render item by expanding the Output Module group in the Render Queue panel and clicking the underlined file path, or by right-clicking Windows or Control-clicking Mac OS the Output Module heading.

You can use custom templates to name the output according to properties of the composition and project. If you want to base the new file-naming template on an existing template, choose the existing template from the Preset menu. Click in the Template box where you want to insert a file-naming rule, and do any of the following:.

To save the file-naming template as a preset for future use in the Output To menu, click the Save button. In the Choose Name dialog box, enter a name for the file-naming template, and click OK. The Use Default File Name And Folder preference ensures that all compositions added to the render queue are automatically assigned a unique output filename except for files created by saving previews, which still use the composition name.

When this option is selected, each render item is assigned the same folder name as the previous render item until you change the path.

Avoid using high-ASCII or other extended characters in filenames for projects to be used on different platforms or rendered using a watch folder. You can add paths to templates. Absolute paths can be defined in a template. Render settings apply to each render item and determine how the composition is rendered for that specific render item.

By default, the render settings for a render item are based on the current project settings, composition settings, and switch settings for the composition on which the render item is based. However, you can modify the render settings for each render item to override some of these settings. Render settings apply to the root composition for a render item, as well as all nested compositions.

The default render settings template is assigned to a render item when it is created. To change which render settings template is the default, hold down Ctrl Windows or Command Mac OS as you choose a render settings template from the menu. You perform the following tasks in the Render Settings Templates dialog box. Changes to an existing template do not affect render items that are already in the render queue.

Each of these settings overrides composition settings, project settings, or layer switch settings. You can choose how much information After Effects writes to a render log file. If you choose Errors Only, After Effects only creates the file if errors are encountered during rendering. If you choose Plus Settings, a log file is created that lists the current render settings. If you choose Plus Per Frame Info, a log file is created that lists the current render settings and information about the rendering of each frame.

The quality setting to use for all layers. See Layer image quality and subpixel positioning. Resolution of the rendered composition, relative to the original composition dimensions. See Resolution. If you render at reduced resolution, set the Quality option to Draft. Rendering at Best quality when reducing resolution produces an unclear image and takes longer than Draft quality. Determines whether the disk cache preferences are used during rendering. Read Only writes no new frames to the disk cache while After Effects renders.

Determines whether to use proxies when rendering. Current Settings uses the settings for each footage item. See Placeholders and proxies. Current Settings default uses the current settings for Effect switches. All On renders all applied effects. All Off renders no effects. Solo Switches. Current Settings default uses the current settings for Solo switches for each layer.

All Off renders as if all Solo switches are off. See Solo a layer. Guide Layers. Current Settings renders guide layers in the top-level composition.

All Off the default setting does not render guide layers. Guide layers in nested compositions are never rendered. See Guide layers. Current Settings default uses the project bit depth. See Color depth and high dynamic range color. Frame Blending. On For Checked Layers renders frame blending only for layers with the Frame Blending switch set, regardless of the Enable Frame Blending setting for the composition.

See Frame blending. Field Render. Determines the field-rendering technique used for the rendered composition. Choose Off if you are rendering for film or for display on a computer screen. See Interlaced video and separating fields. Specifies the phase of pulldown. See Introduce pulldown. Current Settings uses the current settings for the Motion Blur layer switch and the Enable Motion Blur composition switch. On For Checked Layers renders motion blur only for layers with the Motion Blur layer switch set, regardless of the Enable Motion Blur setting for the composition.

Off For All Layers renders all layers without motion blur regardless of the layer switch and composition switch settings. See Motion blur. How much of the composition to render. To render the entire composition, choose Length Of Comp. To render only the part of the composition indicated by the work area markers, choose Work Area Only.

To render a custom time span, choose Custom. See Work area. The sampling frame rate to use when rendering the movie. The actual frame rate of the composition is unchanged. The frame rate of the final encoded movie is determined by the output module settings. See Frame rate. Skip Existing Files. Lets you rerender part of a sequence of files without wasting time on previously rendered frames. When rendering a sequence of files, After Effects locates files that are part of the current sequence, identifies the missing frames, and then renders only those frames, inserting them where they belong in the sequence.

You can also use this option to render an image sequence on multiple computers. See Render a still-image sequence with multiple computers. The current image sequence must have the same name as the existing image sequence, and the starting frame number, frame rate, and time span must be the same. You must render to the folder that contains the previously rendered frames.

Output module settings apply to each render item and determine how the rendered movie is processed for final output. Use output module settings to specify file format, output color profile, compression options, and other encoding options for final output.

You can also use output module settings to crop, stretch, or shrink a rendered movie; doing this after rendering is often useful when you are generating multiple kinds of output from a single composition. Output module settings are applied to the rendered output that is generated according to the render settings. For some formats, an additional dialog box opens when you choose the format in the Output Module Settings dialog box.

You can modify these settings and use settings presets to specify format-specific options, such as compression options. You can apply multiple output modules to each render item, which is useful when you want to make more than one version of a movie from one render. For example, you can automate the creation of a movie and its alpha matte, or you can create high-resolution and low-resolution versions of a movie.

Before rendering, check the Audio Output settings in the Output Module Settings dialog box to ensure that they are correct. To render audio, Audio Output must be selected.

If your composition does not include audio, do not select Audio Output, so that the size of the rendered file does not increase needlessly. You can set the output module of multiple render queue items at the same time. Select the render queue items, and then choose an output module template from the Output Module Settings menu for one of the items.

You can drag an output module to the Project panel to import the finished movie or a placeholder into the project for use as a footage item. Andrew Kramer provides a video tutorial with tips for working with proxies, output modules, and output module templates on the Video Copilot website. You can choose a custom output module settings template or one of the preset output module settings templates.

Several templates are provided, including the Lossless template for creating movies for transfer to video, film, or an NLE system.

The default output module settings template is assigned to a render item when it is created. To change which output module template is the default, hold down Ctrl Windows or Command Mac OS as you choose an output module template from the menu. To change output module settings for multiple output modules at once, select the output modules and then choose an output module template.

The template is applied to all selected output modules. You perform the following tasks in the Output Module Templates dialog box. For information on using controls in the Color Management area of the Output Module Settings dialog box, see Assign an output color profile.

Include Project Link. Specifies whether to include information in the output file that links to the source After Effects project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit Original command to edit the source project in After Effects. Specifies whether to include XMP metadata in the output file from the files used as sources for the rendered composition.

XMP metadata can travel all the way through After Effects from source files, to footage items, to compositions, to rendered and exported files. Post-Render Action. Specifies an action for After Effects to perform after the composition is rendered. See Post-render actions. Format Options. The output channels contained in the output movie. Not all codecs support alpha channels. Therefore, you do not have to specify an alpha interpretation each time you import an item created in After Effects.

Specifies the color depth of the output movie. Certain formats may limit depth and color settings. Specifies how colors are created with the alpha channel.

Choose from either Premultiplied Matted or Straight Unmatted. See Alpha channel interpretation: premultiplied or straight. Specifies the number for the starting frame of a sequence. The Use Comp Frame Number option adds the starting frame number in the work area to the starting frame of the sequence. Specifies the size of your output movie. Select Lock Aspect Ratio To if you want to retain the existing frame aspect ratio when resizing the frame. See Scaling a movie down and Scaling a movie up.

Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie. Use positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export only the region of interest selected in the Composition or Layer panel. See Region of interest ROI.

By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field order. Audio Output. Specifies the sample rate, sample depth 8 Bits or 16 Bits , and playback format Mono or Stereo. Choose a sample rate that corresponds to the capability of the output format.

Choose an 8-bit sample depth for playback on the computer, and a bit sample depth for CD and digital audio playback or for hardware that supports bit playback. The specifications for some formats impose limits on audio parameters.

In such cases, audio options may be unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the export settings dialog box for that format. Click the warning icon to see a detailed message that describes how the output file will be modified to meet the format constraints. You can go back and change composition settings, render settings, and output module settings if you don’t want After Effects to make the changes automatically in the output module.

For more information about output module constraints and the warnings for mismatches in frame rate, dimensions, and pixel aspect ratio, see the Adobe website. Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively. Compression is achieved by an encoder; decompression is achieved by a decoder.

Encoders and decoders are known by the common term codec. No single codec or set of settings is best for all situations. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video. Magic Bullet : Color correction, finishing and film looks. RE:Vision Effects has over 19 years of experience in developing software tools and systems designed to give motion picture and video artists creative freedom. The company has been widely acclaimed because of the in-house know-how in video image processing, 2D and 3D graphics and stereo 3D algorithms.

Boris FX is a leading developer of visual effects software and plugins for film, video, and photography creative professionals. Cycore Systems has developed some award winning effects such as Final Effects, Studio Effects and Cult Effects that have become the industry standard in the film and video industries.

Video copilot is a collaborative resource for training, design tools and artists. It develops distinctive and innovative tools that improve the quality and speed of your production while offering freedom and flexibility.

Neat Video is a video noise reduction plug-in for After Effects. The plug-in efficiently reduces random noise, film gain, analog interference, flicker, jitter of details and compression artifacts.

Neat video includes adaptive spatial and temporal filters that together provide the most accurate video noise reduction currently available. Rowbyte develops software programs that help artists create beautiful Motion Graphics and realistic Visual Effects.

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In this lesson by Mike Griggs for Creative Bloq , you’ll learn how to get started with the software, and get introduced to the basics of layers, expressions, animated typography, rototools and more. Here’s one of best After Effects tutorials produced by Adobe itself. This first-time user’s tutorial opens in new tab gives you a solid introduction to After Effects, explaining how to launch the application, import files, and organise assets in the Project panel. In this After Effects tutorial, Owen from Motion Array provides a walkthrough opens in new tab of the creation of an animated logo, explaining various basic elements of the software along the way.

This get started in animation tutorial opens in new tab by Sara Barnes runs through some top tips for animating illustrations in After Effects, starting with the basics. Motion Array is a great place to find After Effects tutorials for beginners, and here’s a great one.

In this video walkthrough, Owen shows you how to animate a line in After Effects, from one point to another on a map.

One of the most popular reasons to follow After Effects tutorials is so you can make a professional looking title for your video. This tutorial from Tech Infusion shows you how to make a clean and eye-catching intro that really pops, and walks you through the entire process in just over eight minutes. Getting into motion design can seem quite intimidating, but Rob Carney’s tutorial shows how many similarities there are between Adobe’s motion graphics, animation and video editing tool and Photoshop.

Learn how to apply your Photoshop skills to making images that move. This tutorial from Adobe will help you to learn the basics of creating your first composition opens in new tab in After Effects, as well as how to add animation, apply effects and more. This series of After Effects tutorials will teach you the fundamentals required to create and animate text layers opens in new tab. Here you’ll learn to add text to a composition, apply and edit prebuilt text animations and create per-character animation.

The text write-on effect is one of the most commonly used techniques in motion design. It involves using masks to mimics the natural motion of handwriting words, which can come in handy when, for example, animating reveals for logos, titles, and other motion graphic elements.

You’ll find a lot of After Effects tutorials on this topic, but this video tutorial by Black Mixture is our top pick. Learn how to create custom transitions opens in new tab with these After Effects tutorials. In these three lessons you’ll find out how to animate masks to create a custom transition, build animated graphics using Shape layers and create transparency in a layer using a track matte.

Teaching you how to make a lit fire effect, this is one of the most fun After Effects tutorials for beginners we know of. As host Black Mixture explains, this process includes versatile methods are at the basis of creating lots of different special effects, so it’s a great set of transferrable skills to learn as a beginner.

It’s great when After Effects tutorials have a cool effect as their end goal, and this one is no exception. Discover how to make a cool glitch effect opens in new tab in this tutorial, entirely within the app and requiring no source footage. Here’s a great series of After Effects tutorials focusing on techniques for creating several popular visual effects opens in new tab.

These five lessons explain how to: use the 3D Camera Tracker effect to place type into a scene, add a blur over a specific area in the video footage, isolate elements by pulling a greenscreen key, clean up keyed footage using a garbage matte, and retime video to create visual impact. These After Effects tutorials explain how to use a Generate effect to create an animated background opens in new tab. There are two lessons here. First, you’ll create animated graphic elements from scratch that you can use to create an animated background.

Then, you’ll create a seamless looping background using evolution options. This collection of After Effects tutorials guide you through techniques and tools that simplify the process of selecting and animating multiple layers in your composition opens in new tab.

This set of After Effects tutorials focuses on create and work with 3D in compositions opens in new tab. Across the three lessons you’ll learn about the different renderers available in After Effects, how to enable 3D on a layer to position 2D layers in 3D space, and how to add lights to a composition containing 3D layers.

Most After Effects tutorials for beginners are a year or two old now, but new features are being added to the software all the time. So to get up to speed, check out this School of Motion tutorial opens in new tab from last November, which walks you through the latest big update to the software. Once you’ve mastered the basics, it’s time to start building your skills.

There’s plenty more to learn — whether you want to start upskilling in motion graphics, animation and videos, improve your productivity, or organise your projects more efficiently.

Here are the best After Effects tutorials to help you do so. After Effects got an update this year, and this video explains everything you’ll need to know. Jump through sections introducing the new features including Taper and waves, Middletro and more. This tutorial from Tech Infusion teaches you how to make a simple intro opens in new tab using After Effects.

Some people say the tutorial is a bit fast, but we found a generous use of the pause button was enough to keep up. It’s a super-useful tut, with great results. This tutorial explains how to navigate Adobe After Effects opens in new tab so you can organise your projects — including imported assets, precompositions, and timeline layers — and apply effects efficiently. Learn to render a video composition opens in new tab in this After Effects tutorial.

Get started with the Render Queue and discover how to render multiple file formats using Adobe Media Encoder. In this tutorial from Lynda. In this tutorial Mathias shows that corner pin tracking can do much more than just replacing some pictures on a wall.

We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound!

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Who knows… this tutorial might just save your job. The more you get into After Effects, the more you realize how cool it is to bring in stuff from outside the program. This tutorial shows how take a scene from Cinema 4D and bring it over into AE. Using basic AE tools and some expressions you will learn how to create this 3D wall made of custom shapes and a nice laser beam to reveal your text.

In this tutorial, Chad Castleberry will walk you through an all new, updated technique to creating an opening title sequence seen in movies like Superman or The Last Starfighter.

Concepts covered: The Echo Effect, simple keyframe animation, and using fractal noise to create an interesting starscape. In this tutorial Mathias shows that corner pin tracking can do much more than just replacing some pictures on a wall. We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound! It is all done in After Effects without any third party plug-ins.

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Thank You for such a informative blog adobe after effects crack. I found this blog very informative, keep up the good work. Thanks for the opportunity. Unable to decide which is best. Kindly give me a roadmap how to learn in good way. What is the best way to learn Adobe After Effects? Adobe After Effects is one of the more useful places to brush up on After Effects techniques. MotionWorks provides After Effects tutorials, tips, and training with a rich collection of free courses for users of all skills.

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Learn After Effects : Apps Idea. Everyone info. Learn After Effect CC in easy way. The real way to for After Effects CC, where you will dig into dig deeper. Learn essential workflows and techniques every editor should know in this tutorial course by After Effect expert. Video editors often need to switch to fter Effects for compositing work, such as custom lower-third for displaying captions and text in their projects.

There was an explosion of characters and thus the Logo was born. In this tutorial We are going to learn to give life to our text, animating each word in a rhythmic animation, you will find a lot of things in this detailed tutorial. In this tutorial Naim Alwan ventures outside of After Effects for a little bit of 3D Matchmoving to create this stunning Urban Jungle effect where vector graphics are perfectly tracked to some city footage. Animated swirls are all the rage in the motion graphics world, and there are some pretty cool things that can be done with them.

But creating and animating such elements is really not as difficult and time-consuming as it would seem, even if the shapes are detailed and intricate. Bring on the swirls!

Typography is one of the qualities upon which we base most of our design work, and the type animation engine in After Effects offers a gamut of ways to express typographic flair.

One of favorite is the ability to control the 3D motion and position of text characters. When combined with simple camera moves, depth of field, and some real-world studio tricks we use every day, the results can be—literally—powerful.

Lots of programs and plug-ins create cool photo montages easily and quickly—handy for such things as photo DVDs and slideshows. A few tricks and techniques in After Effects will have you up and running in no time at all. Our camera will pan with the actor as he runs, jumps, disappears, and reappears.

The actual disappearance also includes a dynamic dissolve and warp effect. And the best part is, no third party plug-ins are required. When working on VFX, you can often measure your success by how invisible you are.

In this tutorial artist will show you all how to make turn a plain dolly shot into a dynamic room with light rays and a sky replacement. In this tutorial artist will show some Time Remapping, Distortion, and Color Correction tips that could even save you from running into yourself in an old building…. In John Dickinson did a series of roadshows for Adobe where he presented a neat little animation of a dancing can. In this series of tutorials he will walk you step-by-step through various After Effects techniques for creating this spot.

This section deals with Puppet Pin tool basics and how to use the cool motion sketch feature to animate to music. In this tutorial Adam uses CC Smear as the basis to create text that appears in as if a spirit whisped into it.

In this video tutorial, CreativeCOW leader, Eran Stern demonstrates how to create flower trails using Trapcode Particular in this special holiday episode. In this tutorial, you will learn how to create a growing 3D vines and animate it using After Effects.

Problems with overerexposed footage? Need to work in 32bpc for nice depth of field and motion blur? Now you can! Convert your footage from 8bpc to 32bpc with new free plugin. UV mapping finally available in After Effects. Check out this amazing tutorial to learn how to integrate your 3D artwork with After Effects to improve your workflow, save time and money. In this first part James will teach how to create 2 scenes. First how to take a shot of a mansion and give it an intense and scary look through sky replacement and colour correction.